![]() These people want to get together with each other. We have a community of over 50,0000 subscribers. Have a comment, alternate solution, or question? Share it with us and other fellow Finale users on Facebook or Twitter."You don't want to watch something as big as this by yourself," said Ravenscraft. Also, if you want to control how the playback of the rhythmic hits, use the Score Manager to assign a different sound to Layer 2. You could reduce steps by entering all the notes on a single pitch above the staff. While that’s admittedly a lot of steps, we “took the scenic route” to illustrate additional options. Move rests in layer 2: Move rests 15 steps, Click OK.įinally, choose Document > Show Active Layer Only and your layers will both appear - Layer 1 with your original notation, and Layer 2 with your rhythmic hits above the staff.Move rests in layer 1 Move rests -6 steps, Click OK, then repeat and:.Instead, choose Plug-ins > Note, Beam, and Rest Editing > Move Rests: The only remaining issue is that rests are displaced. Utilities > Stem Direction > Up to flip the stems up.In the dialog box that appears, choose All noteheads in the left hand column and Small slash (rhythmic notation) in the right hand column. Utilities > Change > Noteheads to produce rhythmic notation.Plug-ins > Note, Beam, and Rest Editing > Ledger Lines (Hide) to hide the ledger lines between the staff and your newly positioned notes.Choose a rather high pitch so that these notes are positioned above the staff and won’t collide with any of the musical information in Layer 1. To fix the pitches, select the measures with rhythmic hits, and choose Plug-ins > Note, Beam, and Rest Editing > Single Pitch…. To make sure that the next steps only affect the rhythmic hits, choose Document > Show Active Layer Only. To create this in Finale, enter the performer’s main voice in Layer 1 as you would normally, then switch to Layer 2 by choosing View > Select Layer > Layer 2, and enter the rhythmic hits there. Most typically these are notated as rhythmic notation in the space immediately above the measure. These might illustrate where kick drum hits are, that a vocalist should also be clapping a rhythmic pattern, or otherwise provide additional information to the performer. In addition to a performer’s main voice, you may wish to notate rhythmic hits from another part. ![]()
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